Partitions Numériques de All I Ask Of You pour Orchestre de chambre

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All I Ask Of You
Non classifié 260

Piano & claviers
Piano seul 109
Piano, Voix et Guitare 42
Piano, Voix 31
Piano Facile 20
2 Pianos, 4 mains 18

Instruments en Do 17
Piano grosses notes 4
1 Piano, 4 mains 4
Orgue 3
Accompagnement Piano 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano Quatuor: piano, 2 violons, violoncelle 1
Piano Trio: piano, violon, violoncelle 1

+ 8 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 16
Guitare 13
Guitare notes et tablatures 12
Ukulele 8
Paroles et Accords 4

Basse electrique 2
4 Guitares (Quatuor) 1
3 Guitares (trio) 1
Mandoline 1

+ 4 instrumentations

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Voix
Chorale SATB 38
Chorale 2 parties 10
Chorale 3 parties 8
Voix duo, Piano 3
Chorale Unison 3

Voix duo 2
Chorale SSAA 2
Chorale 2
Chorale TTBB 2
Voix Soprano, Piano 2
Voix seule 1
Voix Alto, Piano 1
Voix Tenor 1

+ 8 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 12
Ensemble de saxophones 11
Flûte traversière et Piano 9
Ensemble de Clarinettes 7
Clarinette et Piano 6

Ensemble de Flûtes 6
Flûte traversière 6
Quatuor de Saxophones: 4 saxophones 6
Flûte, Hautbois, Clarinette, Basson 5
Saxophone Alto et Piano 3
Hautbois, Piano (duo) 3
Saxophone Alto 3
Quatuor de Clarinettes: 4 clarinettes 3
Clarinette 3
Saxophone Tenor et Piano 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Saxophone (partie séparée) 3
2 Clarinettes (duo) 2
Quatuor de Flûtes : 4 flûtes 2
Quintette de Flûte : 5 flûtes 2
Flûte, Violon, Piano 2
Saxophone Baryton, Piano 1
2 Flûtes traversières (duo) 1
Cor anglais, Piano 1
Clarinette, Violoncelle (duo) 1
Quintette de Clarinettes: 5 clarinettes 1
Clarinette Basse, Piano 1
Saxophone et Orgue 1
Clarinette, Basson (duo) 1
Saxophone Soprano et Piano 1
Flûte, Clarinette (duo) 1
Saxophone Tenor 1
2 Flûtes traversières, Piano 1

+ 28 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 16
Ensemble de Trombones 6
Trombone 6
Quatuor de Cuivres: 2 trompettes, Cor, trombone 5
Ensemble de Trompettes 4

Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Trompette, Piano 4
Trombone et Piano 4
Cor et Piano 3
Ensemble de Cors 3
Trompette 3
Cor 3
Quatuor de Cuivres 2
Tuba et Piano 2
2 Trombones (duo) 1
Euphonium, Tuba (duo) 1
Cor anglais, Piano 1
2 Tubas (duo) 1
Quatuor de cuivres: 4 trombones 1
2 Trompettes (duo) 1
2 Cors (duo) 1
Euphonium, Piano (duo) 1
Trompette (partie séparée) 1

+ 18 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 12
Harpe 10
Violon 10
Violon, Violoncelle (duo) 9
Violon et Piano 8

2 Violons (duo) 7
Violoncelle, Contrebasse (duo) 6
Violoncelle, Piano 5
2 Altos (duo) 5
2 Violoncelles (duo) 4
2 Contrebasses (duo) 4
Violoncelle 4
Trio à Cordes: violon, alto, violoncelle 4
Violon, Alto (duo) 4
Alto, Piano 3
Alto, Violoncelle (duo) 3
Alto seul 3
Violoncelle (partie séparée) 2
4 Violoncelles 2
Ensemble d'Altos 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 2
Ensemble de Violons 2
Trio à cordes 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Violoncelle , Guitare (duo) 1
Alto (partie séparée) 1
Quatuor à cordes: 4 violons 1
Quatuor à cordes : 4 altos 1
Harpe, Violoncelle (duo) 1
Trio à Cordes: 2 violons, violoncelle 1

+ 25 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 23
Orchestre 15
Ensemble Jazz 7
Orchestre à Cordes 6
Fanfare 3

Ensemble de cuivres 3
Orchestre de chambre 2

Jazz combo 2

+ 3 instrumentations

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All I Ask Of You

Orchestre de chambre

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2 partitions trouvées

Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie

Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie #Orchestre de chambre #AVANCÉ #Carson Cooman #Carson Cooman: The Acts of the #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...(+)

Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilus”), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…”, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit” (Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love” is an eighteenth century poem that e.

$25.95 ≈ 24.22€

Concerto Grosso (2017) for chamber orchestra

Concerto Grosso (2017) for chamber orchestra #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Thomas Oboe Lee #Allegro #Concerto Grosso #Thomas Oboe Lee #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages...(+)

Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.

$9.99 ≈ 9.32€

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